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Image Not Available for ROSA BONHEUR
ROSA BONHEUR
Image Not Available for ROSA BONHEUR

ROSA BONHEUR

1822 - 1899
BiographyBonheur, (Marie-) Rosa [Rosalie]

(b Bordeaux, 16 March 1822; d Thomery, nr Fontainebleau, 25 May 1899).

French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull (1843; ex-artist's col., see Roger-Milès, p. 35) and Sheep (bronze; San Francisco, CA, de Young Mem. Mus.). In 1845 she attracted favourable notice at the Salon from Théophile Thoré. In 1848 she received a lucrative commission from the State for Ploughing in the Nivernais (1849; Paris, Mus. d'Orsay), which, when exhibited the next year, brought her further critical and popular acclaim. Typical of the Realist interest in rural society manifested in the contemporary works of Gustave Courbet and Jean-François Millet, Ploughing was inspired by George Sand's rustic novel La Mare au diable (1846). She exhibited regularly at the Salon until 1855. Her paintings sold well and were especially popular in Great Britain and the USA.

Writings
'Fragments of my Autobiography', Mag. A., xxvi (1902), pp. 531-6
Bibliography
L. Roger-Milès: Rosa Bonheur: Sa vie, son oeuvre (Paris, 1900)
A. E. Klumpke: Rosa Bonheur: Sa vie, son oeuvre (Paris, 1908; Eng. trans. Ann Arbor, 1997)
T. Stanton, ed.: Reminiscences of Rosa Bonheur (New York, 1910/R 1976)
Women Artists: 1550-1950 (exh. cat. by A. Sutherland Harris and L. Nochlin, Los Angeles, CA, Co. Mus. A., 1976)
D. Ashton and D. Browne Hare: Rosa Bonheur: A Life and a Legend (New York, 1981)
A. Boime: 'The Case of Rosa Bonheur: Why Should a Woman Want to be more like a Man?', A. Hist., iv (1981), pp. 384-409
C. Styles-McLeod: 'Historic Houses: Rosa Bonheur at Thomery', Arch. Digest, 43 (1986), pp. 144-50, 164
B. Tarbell: 'Rosa Bonheur's Menagerie', Art and Antiques, 15 (1993), pp. 58-64
Rosa Bonheur: All Nature's Children (exh. cat., Bordeaux, Mus. B.-A.; Barbizon, Mus. Dépt. Ecole; New York, Dahesh Mus. A.; 1998)
Heather McPherson
© Oxford University Press 2006


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